于会泳（1925－1977），生于山东乳山。曾长期在上海音乐学院工作，期间在专门研究民族音乐的同时，对民歌、曲艺、京剧、地方戏曲及西方古乐曲也一一涉猎，先后发表了《山东大鼓》、《胶东民间歌曲选》、《陕北榆林小曲》、《单弦牌子曲分析》等音乐著作，创作了民族管弦乐合奏曲《闯将令》。撰写的《关于我国民间音乐调式的命名》和《关于辨别调式问题》的论文，提出调高沿用西洋音名命名，调式以传统的宫商角徵羽命名，并提出了"主宰音程关系"的新概念，引起音乐理论界的重视，被普遍采用。撰写的《民间曲调研究》、《腔词关系研究》成为上海音乐学院本科和专修科的指定必修教材。先后发表了《女社员之歌》、《幸福花开遍地香》、《不唱山歌心不爽》、《党的恩情长又长》、《非洲在怒吼》等多首歌曲。1965年起，被借调到上海京剧院，后来全面主持"样板戏"工作，试验运用中西混合乐队为样板戏伴奏，负责把《智取威虎山》、《红灯记》、《红色娘子军》、《白毛女》等样板戏剧目拍摄成电影，举办京剧训练班。以全部精力投入《海港》、《智取威虎山》两个剧目的唱腔设计，把传统京剧唱腔同西洋乐紧密结合在一起，使设计的唱段既不离京剧正宗，又有新的开拓和突破。后又参加了《杜鹃山》、《龙江颂》等京剧的音乐创作。尤其是《杜鹃山》的念白用词曲长短句式的韵白体制，柯湘唱腔采用歌剧主导动机的系统结构进行设计，取得很好效果。

Yu Huiyong (1925 - 1977), born in Shandong, Rushan. Had long worked at the Shanghai Conservatory Of Music, at the same time devoted to the study of folk music, folk art, folk songs, the Peking Opera, local opera and western ancient music has one one range, has published "Shandong drum", "Jiaodong folk songs", "Yulin", "small northern Shaanxi danxianr analysis" and other musical works, creation the national orchestral music "daring general". Write "named" about our national music mode and "about discrimination mode problem" thesis, put forward higher follow the Western name naming, adjustable to traditional palace angle of feather named, and puts forward the new concept of "master of interval relations", pay attention to music theory, widely used. Writing "research", "folk tune cavity term relation study" become the Shanghai Conservatory Of Music undergraduate and specialist department designated compulsory teaching material. Has published "female members", "happy song", "fragrant flowers everywhere not to sing folk songs heart uncomfortable", "the kindness of the party is long", "Africa roars" and other songs. Since 1965, was seconded to the Shanghai opera house, then in charge of "model opera" work, test using the cooperation of Chinese and western mixed band for model opera accompaniment, is responsible for the "tiger", "red lantern", "Miss Red", "white haired girl" and other model drama. Filmed for the movie, held in Beijing Opera training class. With all the energy into the "harbor", "tiger" two play aria design, the traditional Peking opera singing with western music together, make the design of the aria from the opera is not authentic, and new development and breakthroughs. Later took part in the "cuckoo mountain", "Ode to Longjiang", opera music creation. Especially the "with lyrics read length Sentence Rhythm system cuckoo mountain", Ke Xiang singing the opera driven motivation system structure design, achieved good results.